{"id":85730,"date":"2021-11-04T19:12:23","date_gmt":"2021-11-04T19:12:23","guid":{"rendered":"https:\/\/www.pierodeglinnocenti.it\/?p=85730"},"modified":"2021-11-17T07:40:56","modified_gmt":"2021-11-17T07:40:56","slug":"marbles-plumbers-and-shipping-agents","status":"publish","type":"post","link":"https:\/\/www.pierodeglinnocenti.it\/en\/marbles-plumbers-and-shipping-agents\/","title":{"rendered":"Marbles, Plumbers and Shipping Agents"},"content":{"rendered":"<p>[vc_row][vc_column width=&#8221;2\/3&#8243;][vc_empty_space empty_h=&#8221;2&#8243;][vc_column_text uncode_shortcode_id=&#8221;894458&#8243;]Two Roman marbles pique the curiosity of visitors to the Baptistry. One is a walled bas-relief on the southern fa\u00e7ade of the <em>scarsella, <\/em>at the bottom, which depicts two scenes: one of trade and the other of a grape harvest. On the left we see an anchored cargo ship with some men who are unloading some merchandise, and on the right other men who are crushing grapes in vats. Therefore, it does not concern a naval battle as naively guessed by some.<br \/>\nIt was also thought that the grape was a reference to the Eucharist,\u00a0given that the marble is in a religious building, but this interpretation seems far-fetched.<br \/>\nSo, let\u2019s move on to more objective observations.<br \/>\nBy looking at this marble carefully we understand that the slab was originally longer, and that it was then cut (rather badly) in three parts, two of which are those that are seen now and that, when juxtaposed, have the right width to be inserted into the layout of the fa\u00e7ade\u2019s cladding. The third piece was thrown away, and this means that the scene depicted in the bas-relief didn\u2019t interest anyone, and that the workers only cared about having a valuable marble piece and that it had to be the exact size for what they wanted to do.<br \/>\nWas it a place-marker for a burial? It doesn\u2019t exactly look like it, considering the quality of the handiwork, the depicted scenes and the lack of any writing; and then in that case they could have done something less complicated and without having to deal with the layout of the cladding of the wall.<br \/>\nAll of this suggests instead a repair job made to close a hole in the cladding: persons who were anything but sophisticated could have thus taken the first antique piece of marble that they had at their fingertips, which had been deemed suitable to be on a monument that was also ancient, regardless of what it depicted. What is called a &#8216;matching color patch&#8217;, in other words. The patch must have been made then when Roman marbles could still be found in the city, and since the scarsella is from the beginning of the thirteenth century, all of that would be dated to those years.<br \/>\nWe don\u2019t know what could have caused the gap: it could have even been an unintentional damage, given its location on the bottom, but I want to push myself to make a rather quirky hypothesis.<br \/>\nAt that time, they were working on adapting the monument to its function as a baptistry of the city. In that context they had to set up a sacristy somewhere, and this was the small room that is there just on the back of our marble. Then in a sacristy it was important to have a water supply, and making it with a minimal impact of the plumbing. All of the connections to the city\u2019s waterworks were on the west side, close to that angle of the sacristy: thus, they decided to pass some tubes through there, necessarily at the bottom. It was not an easy task, also because they had to avoid cutting or damaging the external plinth. The wall of the small sacristy was however \u2013 and it still is today \u2013 rather thin, and because of this, as always happens, it caved in; so, they needed to repair it immediately. And here we are.<br \/>\nCould that be the case?<br \/>\nYet I also have to say something about a marble slab with a beautiful inscription from the second half of the second century that is inside the baptistry, in the gallery. This marble measures approximately 1 square meter, and was used as a railing for one of the choirs. On it we read that it was made by the <em>collegium fabri tignari<\/em> of Ostia (a woodworker\u2019s guild) in honor of the rulers of that time to whom \u2013 as can be understood by other similar inscriptions since this marble is partly broken \u2013 the guild expressed gratitude for some favor they had received (that&#8217;s to say, a profitable contract).<br \/>\nIn the 1700s, this stone was believed to be proof of the barbarian origin of the monument by the scholars of the time. They explained that this was why so much \u201cdisdain\u201d to use it as any kind of construction material was shown. In reality these scholars were very learned in theories but didn\u2019t know much about construction practices because they didn\u2019t consider the fact that on a building work always prizes doing what is most convenient if will get the same result. And thus, if there was marble available and that wasn\u2019t of use to anyone, it could be easily employed where it was useful to do so, and this was not only done in the time of the Barbarians, obviously.<br \/>\nTherefore, having sorted out the scholars\u2019 preliminary observation, we need to ask ourselves what such a so heavy thanksgiving message from a guild from Ostia was doing in Florence.<br \/>\nBut Ostia was a very busy port, where certainly ships that brought marbles from the Aegean countries for the Temple of Mars would have stopped. Perhaps because of this, given that the collegium had existed no more from some centuries and that such a beautiful piece of smooth marble would surely be useful for making many things, someone took it, paid (perhaps) for it, and brought it off. Once it got to the worksite in Florence all they had to do was modify it a little, and here it was.<br \/>\nTo make scholars argue.[\/vc_column_text][vc_empty_space empty_h=&#8221;2&#8243;][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_empty_space empty_h=&#8221;2&#8243;][vc_single_image media=&#8221;85033&#8243; media_width_percent=&#8221;100&#8243; uncode_shortcode_id=&#8221;640371&#8243;][vc_single_image media=&#8221;85038&#8243; media_width_percent=&#8221;100&#8243; uncode_shortcode_id=&#8221;161200&#8243;][vc_single_image media=&#8221;85039&#8243; media_width_percent=&#8221;100&#8243; uncode_shortcode_id=&#8221;117176&#8243;][vc_column_text uncode_shortcode_id=&#8221;106411&#8243;]From top to bottom: the bas-relief of a ship from the <em>scarsella<\/em>; detail of the floorplan of the ground floor of the Baptistry; the stone with an inscription from the second century enclosed in the railing of a choir in the gallery.[\/vc_column_text][vc_empty_space empty_h=&#8221;2&#8243;][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column width=&#8221;2\/3&#8243;][vc_empty_space empty_h=&#8221;2&#8243;][vc_column_text uncode_shortcode_id=&#8221;894458&#8243;]Two Roman marbles pique the curiosity of visitors to the Baptistry. One is a walled bas-relief on [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":85513,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[87],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v17.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Marbles, Plumbers and Shipping Agents - Piero Degl&#039;Innocenti<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.pierodeglinnocenti.it\/en\/marbles-plumbers-and-shipping-agents\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Marbles, Plumbers and Shipping Agents - Piero Degl&#039;Innocenti\" \/>\n<meta property=\"og:description\" content=\"[vc_row][vc_column width=&#8221;2\/3&#8243;][vc_empty_space empty_h=&#8221;2&#8243;][vc_column_text uncode_shortcode_id=&#8221;894458&#8243;]Two Roman marbles pique the curiosity of visitors to the Baptistry. 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